more from
Index Clean
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

On the Floor, by the Door

by Rory Salter

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 AUD  or more

     

  • Limited Edition Compact Disc
    Compact Disc (CD) + Digital Album

    350gsm 4 Panel Digipack

    Includes unlimited streaming of On the Floor, by the Door via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

1.
The Morbs 05:37
2.
3.
Scored Guard 05:09
4.
5.
These Parts 02:24
6.
It Ticks 02:32
7.
8.
9.

about

The two main ideas behind the music are to make use of domestic and work situations. Most of it was recorded in a new flat I moved into last year. The place had a really interesting acoustic and after so many years of making music in whatever flat I was living in I wanted to do something where you could really hear the place it was recorded/the surrounding area. So a lot of the recordings are done in different locations in the flat, and often re-played back into the flat and recorded using different speakers and microphones. A lot of material was recorded whilst performing usual domestic activities and would spend quite a lot of time running between rooms doing other tasks at the same time as recording. The name of the 'On the Floor, by the Door' track is because that's where I recorded a fair bit of it, by the front door. It's in a similar way that I used and included my job in the pieces. I work as a sound technician at a university in the day and as a sound engineer in the evenings a couple times a week. I've been thinking (and talking a lot of shit) about work and art making recently and I’m really into stuff where the persons found some way to include their day job in their art in a way that sort of re-purposes the skills, materials, time etc of work. So anyway I did a lot of this, really thinking about skills I've picked up and making the effort to borrow some really otherwise unattainable equipment. I thought a lot about space and acoustic-ness during the process so a lot of it again is about me wanting sound to exist within a space; reamping sounds into spaces, or recording synthesised sounds through different speakers positioned in ways to filter and alter the sound. A lot of these practices are things I've developed and talked about a lot at work. Friends also feature quite a bit in relatively candid ways and crop up in recordings here and there. I guess there's a desire to get to a point of a 'life' music, where it feels a bit everyday and blurs the line a bit, that's when things are most interesting to me.

- Rory Salter

credits

released January 24, 2024

Cello appearances on tracks 1 & 2 by Ecka Mordecai
Photos by R. Salter
Illustrations by R.Salter and Ben Victor Waggett
Mastered by Joe Talia

license

all rights reserved

tags

about

Rory Salter London, UK

contact / help

Contact Rory Salter

Streaming and
Download help

Redeem code

Report this album or account

If you like Rory Salter, you may also like: